Traps – The Prisoner and the Spirit (1989) 16mm film Revisited. A ritual of matter and spirit, articulated through the material language of 16mm film. A woman manifests the spirit. A man is held within the net—caught between worlds. The fish is found. The table is shared.A threshold opens—the prisoner glimpses the metaphysical. The spirit ascends.

I am pleased to share the catalogue of the Infinite Self Pavilion, presented as part of The Wrong Biennale 2025–2026. The publication includes the curatorial essay and presents the artworks and statements of the participating artists whose contributions shape the pavilion’s exploration of the evolving relationship between the Self and artificial intelligence

Dedicated to all women whose lives were impacted by the atrocities of wars. International Women’s Day 2026 A young woman lies on the broken fragments of ruins. er dress is torn; her shoes and a few personal belongings are scattered chaotically behind her. Her back faces us, bare and still, like the skeletal remains of the buildings rising in the background. Her negative truth is mirrored in the black-and-white positive still. She is real. She was me.

The catalogue for the Infinite Self Pavilion, presented as part of The Wrong Biennale 2025–2026.

Part of The Wrong Biennale 2025–26,this pavilion invites seekers to explore the evolving nature of the Self and its relationship with AI.

This piece engages with Damien Davis’s recent article in Hyperallergic and challenges the structural limits placed on artists by the “emerging” category — as if emergence has an expiry date.

MY KA is inspired by the theme of the double and Maya Deren’s poem Death by Amnesia (1942). Yet she emerges from the earliest strata of my work—footage, concepts, performances and visions that remained unfinished, veiled by the adversities and ordeals that haunt the path of artists. Only now, through this reawakening, does her form complete itself.

The 9th Altar by Lila Moore A site where elemental forces and serpentine life forms evolve eyes and consciousness.Silently, a woman passes by and kneels with jars of offerings—arriving from nowhere and vanishing like mist—a serpent embracing a stone in a timeless gesture.

his audio-visual lecture explores how mythical goddesses and female demons—such as Isis, Gaia, Binah, Lilith, Medusa and Hecate—function metaphorically and aesthetically as 'mothers' of artistic dance and screen dance forms.

March 2025 marks a decade since this work began, culminating in its ninth year with the creation of The 9th Altar installation and art film.

The 9th Altar in the Serpentine Field – Art Film & Immersive Installation World Premiere at Inhabiting Esoteric Ecologies

Know Thy Infinite Self is an exhibition taking place on a dedicated online platform, a Pavilion, hosted by artist-curator Dr. Lila Moore

Dr. Lila Moore discusses Art, Spirituality, and Manifestation, accompanied by visuals and sounds from her immersive installation.

Know Thy Infinite Self exhibition by artist curator Dr Lila Moore -The Wrong Biennale 2025

The 9th Altar in the Serpentine Field by Lila Moore is now available as an immersive installation.

Year Zero - 2121 Expo Exhibition concept for works to a future audience in hundred years.

BATH RITES Immersive Installation Artist Statement by Lila Moore In the mid to late 1980s, I began performing cleansing rituals, often...