The article “Know Thy Other: Dialogic Encounter and the Presence of Self and Other in Technoetic and AI-Mediated New Media Art” is an original piece of art-historical and theoretical research. It brings together art philosophy, art history, contemporary art criticism, and new media in a way that is both ambitious and timely.

Traps – The Prisoner and the Spirit (1989) 16mm film Revisited. A ritual of matter and spirit, articulated through the material language of 16mm film. A woman manifests the spirit. A man is held within the net—caught between worlds. The fish is found. The table is shared.A threshold opens—the prisoner glimpses the metaphysical. The spirit ascends.

I am pleased to share the catalogue of the Infinite Self Pavilion, presented as part of The Wrong Biennale 2025–2026. The publication includes the curatorial essay and presents the artworks and statements of the participating artists whose contributions shape the pavilion’s exploration of the evolving relationship between the Self and artificial intelligence

Dedicated to all women whose lives were impacted by the atrocities of wars. International Women’s Day 2026 A young woman lies on the broken fragments of ruins. er dress is torn; her shoes and a few personal belongings are scattered chaotically behind her. Her back faces us, bare and still, like the skeletal remains of the buildings rising in the background. Her negative truth is mirrored in the black-and-white positive still. She is real. She was me.